Frank Morey – Made In USA
After a few years of waiting on pins and needles for the follow-up to Frank Morey’s legendary and brilliant ‘Delmark Sessions’, Frank Morey fans, old and new, have been given a gift in the form of the new album ‘Made in USA’. Featuring the usual suspects found in Mr. Morey’s songs; hookers, preachers, drinkers, sinners, lovers and devils, ‘Made In USA’ has just about everything you could ask for, tucked away in the little white CD case. Featuring Scott Pittman on drums and Andrew Bergmann on bass, the trio proves that simplicity is key when making bluesy, dirty, gin-soaked music. Bringing elements of Howlin’ Wolf, Leonard Cohen, Tom Waits and Kerouac, this CD has nary a dull moment.
The gritty “Standing On A Corner” is a great example of the fine song writing talents of Frank Morey and has a wonderful vaudevillian feel to it. “No Good” is a brilliantly dark track, heavy on the bottom end; this one needs to be played loud! “North Atlantic Line” is a gorgeous song, featuring a duet with the angelic Eileen Rose. A love that is deeply moving and unforgettable. It is defiantly one of the highlights on the CD. A perfect ending to journey that ‘Made In USA’ will take you on is the addictive “No Evil”. It is another track that seems to be on repeat round these parts.
For more information on Frank Morey and to purchase this killer CD, visit www.frankmorey.com or http://cdbaby.com/cd/morey5.
The Jukes - What a Night
- by Sarah French
www.sweetsarahblues.com
There is a new band on the scene, making waves and packing dance floors everywhere they go. Riding high on the hype following the release of their debut album "What A Night" The Jukes will be sure to secure a place on the Blues map in Toronto. With a great mix of Blues, R & B, Rockabilly and Soul, the disc features killer originals, and a sweet, modernized and funky version of the classic 'Summertime'.
The first cut on the disc is 'Raining In Toronto', a great jump Blues track featuring outstanding guitar work from Josh Gordon. The title track, 'What A Night' is a fun tune about the familiar feeling of overdoing it on a good night out with the boys. 'Run Dear Boy' is a fine example of the talents of lead vocalist Peter Charles. He has a fairly wide vocal range, and is perfectly suited to sing Blues and R & B. The aforementioned 'Summertime' is jazzy, smooth and gorgeous. There are 13 awesome tracks on "What A Night" and I would be hard pressed to find one that did not stand out.
The Jukes are one tight band! From the vocals provided by Mr. Charles, the exceptional guitar work from Josh Gordon, funky bass lines laid down by Andrew Taylor, to the formidable drumming from Chris Chiarelli. These gentlemen have hit the nail on the head with their radio friendly, crowd pleasing musical team. Keep your eyes peeled for The Jukes in your city, and do yourself a favor by checking them out live, and grabbing a copy of this incredible disc. Visit The Jukes at www.thejukesband.com for upcoming dates and more information on this
great Toronto band.
The Triumphant Return of Anthony Gomes to Toronto
Saturday, October 15, 2005
- by Sarah French
www.sweetsarahblues.com
Rumor has it there was a line-up to get in to the Silver Dollar Room in Toronto this past Saturday. People from all over the GTA were eager to get a table or even a good seat, on this chilly October evening. All the excitement and anticipation was for the homecoming of Toronto’s Blues darling, Anthony Gomes.
Now based in Nashville, via Chicago, Mr. Gomes has been electrifying audiences around the world with his high-energy guitar playing and outstanding stage presence. He fuses blues, gospel, funk and good old-fashioned rock n’ roll in to a show that is filled with laughter, dead seriousness, and of course, the double entendre that blues music is famous for. With his original songs from the recent release ‘Unity’ and old favorites, Anthony had the audience mesmerized, shaking their booties and shimmying on the pared down dance floor within the first 3 songs of the set. Of course, his incredible covers of songs such as Cream’s “Sunshine of Your Love” and Led Zeppelin’s “Heartbreaker” had even the most discerning blues fans enjoying the ride.
Its’ been several years since the Anthony Gomes band has graced the stage at the legendary Silver Dollar Room, and the sea of unfamiliar faces in the crowd was a good indication that our hometown boy has hit the big time. People clamored to shake his hand and offer their compliments to Gomes, who is always gracious and friendly. As always, he gave us one hundred and ten percent of himself last night, and the buzz after the show was one that suggested many people in the room had never, or will never see anything like Anthony Gomes anytime soon. Visit www.anthonygomes.com for more information about the Anthony Gomes Band, and www.silverdollarroom.com for more info about one of Toronto’s best blues bars.
Danny Weis - Sweet Spot (Marshmellow Records MMR030)
- by Sarah French
www.sweetsarahblues.com
How Sweet it is! A founding member of the well known 1960's rock group Iron Butterfly, and a member of the super group Rhinoceros, Danny Weis brings his extraordinary guitar talent to his first solo project "Sweet Spot". Released in October 2005, on Toronto's Marshmellow Records, "Sweet Spot" features an eclectic mix of original R & B, Funk and Jazz guitar instrumentals.
The addictive 'Turn It Up' is a wonderfully funky track, featuring heavy bass lines, superb horn arrangements, and the guitar talents of Mr. Weis; it is an exceptional track that brings to mind the best of '70's Jazz and fusion. The gorgeous 'What Would It Take' is romantic, sensual, and smooth. And for those so inclined, it is defiantly a slow dance number! 'Inglewood' is another stellar offering, with a great marriage of Funk, Rock n Roll and Jazz. A great Bluesy number is also included here. 'Gunslinger' proves to be raw and dirty, and is a standout track.
All of the songs on "Sweet Spot" feature outstanding accompaniment from musicians including Rhinoceros alumnus and current Downchild Blues Band keyboard master, Michael Fonfara.
With over 50 minutes of music and 16 tracks, this recording has something for all tastes. It is exciting, modern and I am certainly looking forward to future projects from the formidable and extremely talented Danny Weis. Pay a visit to Marshmellow Records for more information on Danny Weis and this CD on the web at www.marshmellowrecords.com
Julian Fauth - Songs of Vice and Sorrow
Electro-Fi 3391
-- by Sarah French
Every man and woman has demons. Skeletons in the closet, if you will. Some people have an outlet for exercising these demons. Some may not. For those who don't, allow me to introduce to you the new voice of the Blues - Julian Fauth. The long awaited release on Electro-Fi records is finally here. A master storyteller, songwriter and piano player, Mr. Fauth's music has been described as 'barrelhouse Blues with occasional flights of insanity'. In all honesty, I don't believe there are enough words to describe the intensity of this young man's performances. The new CD recording, aptly titled "Songs of Vice and Sorrow" contains a Pandora's box of characters, stories, heartache and a full spectrum of feelings.
The opening track 'Cobalt' is a stunning example of Julian's songwriting talents, vocals, and guitar playing. Telling the story of a drifter in the wrong place at the wrong time, it is reminiscent of pre-war Blues and the heart wrenching troubles our musical founding fathers' may have experienced. 'When My Mother Died' is vehement with the lyrical imagery and haunting piano expertise. It also showcases Mr. Fauth's one of a kind vocals, and features Blues legend Mel Brown on accompanying guitar. A favorite of live audiences across the GTA is 'Winter Of 99'. Julian's aptitude on the ivories is unmistakable on this track. With acoustic guitar, foot-stomping and outstanding harmonica, laid down by harp master Paul Reddick, and lyrics borrowed from traditional prison songs, 'Big Brazos' is a fine example of Julian's ability to transcend the listener to another place and time.
There are 16 phenomenal tracks on "Songs of Vice and Sorrow". Each one is outstanding in form, originality and genius. It is hard to believe that our boy Julian is living in modern times while listening to this disc. As he puts it, there is something for everyone: murder, robbery, drugs, gang violence, prostitution and pure Blues. This CD is the Blues in all of its' purest forms.
Julian Fauth is a musical force that cannot be reckoned with, duplicated or even imitated. It is as if he was chosen, long before his birth to carry the weight and continue the work of early American Blues masters.
Visit www.electrofi.com
or www.julianfauth.com
for tour dates, CD purchasing information and a history of the man who will be responsible for the second coming of the Blues.
© Sarah French 2005
www.swetsarahblues.com
"Music is edifying, for from time to time it sets the soul in operation.
Tommy Z - Universal Love - South Blossom Records 2005
-- by Sarah French
One of Western New York’s best-kept secrets is an exceptional guitarist and vocalist Tommy Z. With a unique blend of Rock N’ Roll fused Blues, the new CD “Universal Love” proves to be a refreshing listen. The Tommy Z Band is subtle with their delivery, yet each track is in your face with soulful lyrics and sizzling performances from each of the talented personnel in the band.
The opening track ‘Almost Heaven’ is a wonderful example of Tommy’s exceptional vocals and guitar slinging. A beautiful love song, lyrically and musically, it paves the mood for the whole disc. ‘The Lovin’ I Miss’ is a stellar, modern Blues track, complete with horns courtesy of The Salvation Horns featuring Jazz legend, Chu Nero. Reminiscent of older R&B, this stand out track is fun, funky and very hot. Leaning a little on the heavier side, ‘Justice’ is a radio friendly track, one that would be a great addition to a road trip mix. My favorite track on here is ‘Watered Down Love’. It is defiantly classic Blues, with boogie-woogie keyboard, smokin’ guitar riffs and bone chilling lyrics about a cheating woman and the man’s way out.
Each track on this collection is original, modern and fresh. “Universal Love” proves to be a killer CD with exceptional performances from Tommy Z (vocals and guitars), Chu Nero (keyboards and horns), Rodney Appleby (bass), Paul Campanella (drums) and legendary producer Nick Blagona on additional percussion. All in all “Universal Love” is a fluid combination of R&B, Jazz, Blues, Funk, and Swing. For purchasing and tour information visit
Johnny Max Band - Ride & Roll
-- by Sarah French
What do you get when you mix R N' B, Blues and Rock?? You get the new CD from the Johnny Max Band - Ride & Roll. Featuring the unique vocals of Johnny Max, each song has a life of its own. There is nothing monotonous or repetitive here. Just good, down home, soulful music.
A popular and hard working band from the Greater Toronto Area, Johnny Max and co. bring the listener back to a time when music was simple, familiar and fun. Not to say that there is anything simple about the talents of these lads, each musician brings experience, originality, and life to each song.
The title track 'Ride & Roll' has a wonderful and modern rockabilly sound to it. With blistering guitar courtesy of Kevin Higgins, killer drumming from Duncan McBain and of course, formidable vocals from Max, this radio friendly track is a good indicator that this CD contains some very powerful stuff. 'Angel of Mercy' has a familiar theme - bad luck, money and family troubles and a Blues man seeking relief. Well done lyrically, this track has an amazing organ base, courtesy of Martin Aucoin, Blues guitar lines, and smooth bass lines from Uli Bohnet. 'Whatcha Gonna Do' is a superb throwback to old Rhythm & Blues. The stand out track on "Ride & Roll" is the arrangement on a traditional spiritual called 'Walking In Jerusalem'. Stunning slide guitar, foot stomping and hand clapping mesh perfectly with Johnny's soulful vocals. A positive addition to the more modern sounds on this disc.
Hard to categorize, there is close to an hour of fun packed into this CD. A wonderful collection of songs and extremely talented personnel will make "Ride & Roll" a popular choice for rotation nationwide.
www.johnnymaxband.com
MISS ANGEL - That's The Way I Tumble
CD Liner Notes by Sarah French
Electro-Fi 3389
www.electrofi.com
There is something sexy and powerful when a woman sings the Blues. It doesn't have to be lost romance or broken hearted Blues. She can sing about jelly roll, traveling light or ramblin'. It can be uppity, forthright and in your face. A Blues woman can stand up and speak her mind, turn the tables around and thankfully, in 2005 do it in a smooth and dignifying manner. Enter Miss Angel. Singing the Blues professionally since 1992, Mississippi born Miss Angel has been heard on Mel Brown's W.C. Handy award winning Neck bones & Caviar among others. At last she gives us an incredible solo album - That's The Way I Tumble.
Evoking the sounds and spirits of her idols Odetta, Dinah Washington and Koko Taylor, Miss Angel remains true to her self and brings originality to each track. Her deep soulful voice and tough yet feminine demeanor are the epitome of the Blues woman.
Recorded by Alec Fraser at Liquid Studio in Toronto, produced by Mel Brown with Electro- Fi Records president Andrew Galloway acting as executive producer, this disc features a stellar line up of backing musicians including Angel's partner in crime, Mel Brown on guitar, piano and B-3 and The Homewreckers (Jim Boudreau on Drums, John Lee on piano and organ, Al Richardson and Leo Valvassori sharing bass duties). Each track is filled to the brim with soul, innuendo, and down home Blues. From the sharp double-entendre in 'Ramblin' and 'Country Man' to the sentimental 'If You Could See' and 'Since I Fell For You' and the title track, her original 'That's The Way I Tumble', Miss Angel will grab your attention and hold it. She will paint you a vivid picture of the Blues, or remind you that you were there once too.
When I asked Miss Angel about her inspiration for the CD, there was a slight pause. She took a deep breath and in her smooth southern drawl said "I am just playing the Blues." Pardon me? I thought. Surely there was some deeper, more profound answer than that. But then again, is there anything more deep or profound than "just playing the Blues"?
Real Divas – Torch Light Vol. II
-- by Sarah French
Featuring the best of the best in Canadian female Jazz vocalists, 7 Arts Entertainment hits the nail on the head with the second installation in the ‘Real Divas’ series. With some of the sweetest renditions of classic songs and original compositions from the ‘divas’, this collection simmers with romance, sensuality, innocence, and all that Jazz. Lost love, found love, yearning and empowerment are all themes that can be found here.
The first track, “Something So Sweet”, courtesy of Susie Vinnick, sets the mood for this collection with stellar vocals and lyrics. Molly Johnson lends here unmistakable voice to “Sweet Sublime”. A real Divas 1 alumnus Karen Plato gives a strong performance on “Cast Your Fate To The Wind”, featuring a beautiful accompaniment with piano and trombone. A moving piece from our only other Real Divas 1 alumni, Emilie – Claire Barlow, “Gentle Rain” has a sexy Latin feel to it, coupled with outstanding vocal work. “Rollercoaster Man” from Dione Taylor makes a fabulous suggestion for any diva’s theme song. Blistering vocal work from Dione, and awesome boogie piano make this one of my favorite tracks on the CD. A wonderfully haunting and beautiful track called “Breathe” from Coral Egan gave me chills; Coral’s voice is unbelievable.
There is so much to say about ‘Real Divas – Torch Light Vol. II’, but I think that the only way one can truly experience the beauty, sadness, exhilaration and melancholy sounds found here is to listen to the disc. There is something for every Jazz fan, for all tastes. It is truly an exceptional release.
www.7artsmusic.com
CD review: Villanelle - Paul Reddick.
-- by Sarah French
Imagine if you will, that you are a passenger on a train. This is not an ordinary train, however. This train only makes stops in places with names like Nowheresville and Burma Shave. Leonard Cohen and Johnny Cash are arm wrestling for bourbon in the smoking car - a blind man might be the conductor of this train. While it chugs along the tracks the speed varies, slow then fast, then slower, and on and on. This is Villanelle - the newest release from Paul Reddick.
Inspired by the Alan Lomax field recordings and pre-war Blues masters Sleepy John Estes and Mississippi Fred McDowell, Villanelle is modern and fresh, while staying true to the roots of Blues music. Produced by the formidable Colin Linden, Villanelle is a gorgeous disc, filled with lyrics that tell of love, longing, regret and of course - Blues. . Featuring Mr. Reddick's unmistakable harmonica tone and vocals, 'Big Not Small' is a wonderfully heavy track, straightforward and melodic. 'Villanelle' is musically and lyrically haunting. With violin (Kathleen Edwards) and mandolin (Colin Linden) it carries the tradition of early American music, and can easily be imagined playing on a 45, somewhere back in time. 'Waves' tells the story of a wanderer, forever rolling, perhaps never to be content in one place for too long. This track features outstanding harmonica, slide guitar and vocals. It is a fine example of the camaraderie between Mr. Linden and Mr. Reddick. 'Round This Time of Year' is a song that everyone can relate to. A theme of lost love and longing make this heart-wrenching track one of the highlights of this disc. Modernized vocal loops and heavy shuffles make 'Six Was The Six' the engine of the aforementioned train.
All in all, every one of the 15 tracks on "Villanelle" is lyrically and musically superb. There is something for all tastes, ranging from Country to Folk and Blues. Beautifully arranged and mastered, this disc is a very easy listen and will certainly be regarded as a favorite by the listener and critics alike. Paul Reddick is a master storyteller and songwriter, and he proves it with 'Villanelle'. Visit Northern Blues Music at http://www.northernblues.com/ for more information, or to purchase a copy of 'Villanelle'.
Blind Boys of Alabama
-- by Sarah French --
If there were ever a time in my life when I could positively say that I felt the presence of a higher power it was during the TD Jazz festival on June 28th. I am not a religious or spiritual person, but after performances from Ken Whitely and the Blind Boys of Alabama, I feel redeemed. It felt like a Southern revival, with deep Gospel roots, Folk, and a touch of the Blues.
From the moment Folk/Gospel artist Ken Whitley hit the stage, the show was off and running. With robust vocals from Ken and a trio of back-up singers, the second song 'No Ways Tired' was as uplifting as a ditty can be. The evening also featured Ken's Bother Chris Whitley playing harmonica, trumpet and guitar. The tunes 'Child of God', 'Let My Life Be Prayer' and 'In Your Hands' were flawless. Ken also tells interesting stories and is warm and humorous whilst performing. There were many incredible songs performed by this Canadian gem, and I look forward to seeing Ken Whitley again.
Once the Blind Boys of Alabama appeared on stage, I was in awe. The energy from the band hit the audience with unbelievable strength. We were on our feet for most of the show, clapping, shouting and singing along. It was very special to see these legends on stage. Having begun in 1937 at Alabama's Institute for the Deaf and Blind, the Blind Boys have had many hardships and life experience. It shows on there faces and in their songs. With Mayfield's 'People Get Ready' and 'Down by the Riverside' the stage was set for an evening of incredible affirmation and testifyin'.
The highlight of the setwas the Boy's version of 'Amazing Grace' set to the tune of 'House of the Rising Sun'. It is deep in feeling without the constrictions of tradition. Look forward to a new album from the Blind Boys of Alabama, backing up the incredible Ben Harper. It is an awesome feeling to have been able to receive the gift of sight- but an even better feeling to share the gift of music.
Subject: Wednesday Morning Coming Down
-- by Sarah French --
After considerable deliberation early in the evening, my friend Lucie and I decided to venture to Burlington from the big smoke to see Enrico Crivellaro’s last performance with David Rotundo at the Slye Fox on Tuesday. Barreling down QEW, windows wide open, I got into the zone with the help of my 14th Second Cup© of the day. Muddy Waters ‘Thirteenth Highway’ blasted from all sides of the vehicle. We were ready for the Blues. 35 minutes later we entered the pub, conveniently located in a Stepford Wife-like suburban plaza. 8:30 pm on a Tuesday night in August – the place was rammed! A sea of people were grooving to the set that was already underway; Pints were flowing at a rapid speed and by all accounts, it was a Saturday kinda Tuesday.
It was unreal. The band was smokin’. After a few heavy tracks the boys were on a roll. David played his harmonica as though it was a woman. Slow and delicious harp solos, partnered with Enrico’s smooth but potent guitar licks made a great team. Hanging on every note, the audience was able to sing along with ‘I’m Into It’, ‘Talk To Me Baby’ and ‘Let’s Have A Good Time’. After a special song request for ‘Can I come Into Your Kitchen’ there was not a dry panty in the
place. A fantastic rendition of ‘Good Morning Little School Girl’ and David’s original ‘I’ve Got To Move’ were my favorite moments of the evening. I was stunned that the crowd would not wane, and I am certain that waking up for work in the morning was the last thing on their minds.
A fantastic night of Blues and good friends will cure whatever ails you. Guaranteed.
Check out these killer sites for more info on David, Enrico and our friends at Electro-Fi.
www.davidrotundo.com www.elctrofi.com www.enricocrivellaro.com
Gabe Lee - Haunted Hollowbody
-- by Sarah French --
Any disc that opens with a train song usually indicates something quite special is going to follow. Such is the case with 'Haunted Hollowbody' from Toronto local Gabe Lee. Featuring mind-blowing lyrics and equally fine guitar and vocal work from Mr. Lee, this CD is a fluid combination of Blues, Country, and Rock.
The first track "Can't Stop The Train" takes us on a journey, though in a windowless car, with a hint that Johnny Cash is the conductor. "Hey Mr. Driver" is a sexy second track opening with smooth saxophone from Ron Allen, guitar and wonderfully guttural vocals courtesy of Gabe Lee. This song is a plea to the driver to "drive a little faster" and is one of the highlights of this recording. "Sea of Love" is an example of the exceptional talents of the musicians contributing to 'Haunted Hollowbody'. Bucky Berger (drums) and Kit Johnson (bass), sweet harmonica sounds from Gabe, and gorgeous backing vocals make this cut very easy to enjoy.
There is one track that truly stands out among the recordings here - "Pretty Baby". Hauntingly beautiful lyrically, vocally, and musically, what makes this so outstanding is the familiarity of the theme. Additional guitar from James Anthony is featured on this gorgeous track, along with simple harmonica riffs at the perfect moment. Katalin Kiss provides deep, melodic backing vocals that accent the loneliness in Mr. Lee's voice. It is an incredible love song that is difficult to forget.
Produced by Tight Lip Tunes in Toronto, all of the eleven songs on 'Haunted Hollowbody' are phenomenal. It is one of those CDs that might find a permanent home in the stereo. In my opinion there is nothing that could be done to improve this disc. It is that good. I am confident that Gabe Lee will prove himself a master of story telling in the same fashion as Cash, Waits and Cohen. I just hope it won't be much longer until the next record.
For information on where to order this disc, please contact Dan at da_bear@sympatico.ca .
Because we all need to feel the Blues
-- by Sarah French --
There is something new and very exciting for Blues fans on the World Wide Web. Launched in May 2002, www.canadianblues.ca was created by Andie Maranda and Baron Bedesky, two blues enthusiasts based in St. Catharines, Ontario. This site is brimming with information regarding the Canadian blues scene, including clubs and bars, festival listings, blues radio listings and the new online store.
Blues musicians across Canada now have a new way to sell their CDs via the internet. The online store, which formally opened for business on March 8, is devoted solely to Canadian musicians and bands, and exclusively to those who focus on the blues. The intent is to provide a single outlet where fans have a wide variety of blues CDs by Canadian blues artists to pick and choose from before ordering online through a secure server. "Fans in Ontario may not know about all the great blues artists out west or in the Maritimes or even in Quebec. People in Newfoundland aren't aware of what's happening in BC, and vice-versa. Yet, we are all Canadians and I feel everyone should take pride in the talent in this country. That's what the web site and the store is all about. It's bringing the music to the people.' explains Andie Maranda, co-founder and designer of Canadianblues.ca.
The selection to choose from is extraordinary! Visitors to the site will find the titles arranged in alphabetical order by artist, cover art and two audio samples and a review. This proves to be helpful to buyers who may not be familiar with the artist's work. A good number of the CDs for sale are by independent blues artists who only get the chance to sell their cds through their own web sites or at live shows.
'Blues fans tend to be very passionate about their music and will support it unfailingly when given the opportunity'. Said Baron Bedesky, co-founder of CanadianBlues.ca. 'This store provides that opportunity. Otherwise, tracking down all this great music can be challenging.'
In addition to CDs, the store also offers a variety of media-storage units, items that every music collector finds essential to organize their music. A variety of music-related products will be added in the future.
This is definitely the place to go to find Canadian Blues information. Thanks to the dedication of Andie and Baron, the doors of opportunity have opened tremendously for Blues musicians from coast to coast.
Real Divas
-- by Sarah French --
Picture the purple-hued lounge, dark velvet curtains, and candles flickering against the smoky air. Women are wearing broken hearted faces, lipstick and their Sunday best. The men with scotch soaked lips and an unforgiving lust in their eyes. Ah, the mood is set for this night of romance, intrigue and slow dances.
The soundtrack to this fantasy is the new release from 7 Arts Entertainment called 'Real Divas - Torch Light Vol. 1.
Under the guidance of veteran musician and Jazz leader Bill King, this CD features the cream of Canadian Jazz singers, from Montreal to Vancouver. Each of the 14 tracks is different in style, mood, presentation and definition. Unlike some other compilations featuring Jazz vocals, there is not one cut on Torch Light Vol. 1 that is artificial or typical. Although similarities are expected, there is no Ella, Billie or Peggy; the vocalists showcase their originality and incredible talent without imitation.
The first cut is the sultry Sara Latendresse with a smooth Eva Cassidy tinted 'Just the Two of Us'. This performance seems effortless, like Sara was born to sing it.
Dawn Aitken's warm and supple voice, provide 'Until the Real Thing Comes Along' the charm it deserves. A fresh take on 'Lush Life' from Beverley Staunton brings a sweet innocence to this standard. Another example of vocal Jazz at its finest is courtesy of Leah State on 'Sweet Lorraine'. Perfectly executed and heart breaking, this track will weaken knees and lubricate tear ducts all over the country. Carol Welsman's 'Over the Rainbow' easily rivals that of Garland. The maturity in Carol's voice brings a new feeling to the song.
In addition to the ladies listed above, 'Real Divas - Torch Light Vol. 1' features incredible performances from Alex Pangman, Melissa Stylianou, Karin Plato, Emile-Claire Barlow, Kate Hammett-Vaughn, Tammy Weis, Jennifer Ryan and Jennifer Hanson.
If space were to permit, I could write volumes on this gorgeous collection and the myriad of feelings that each song can bring the listener. There is a lifetime of experiences portrayed in each song, truly believable performances from every one of the 'Real Divas' featured here.
ChrisLord Ideal
-- by Sarah French --
The Chris Lord Ideal is the band to be on the lookout for in your town this year. Heavy, hard hitting, smooth and seductive are phrases that could be used to describe their album Sunday in New York.
Released in 2002 and recorded live off the floor at Cherry Beach Sound in Toronto, this CD has all the elements of a desert island pick. The title track is a generously moving song that conjures up many images and feelings, such as lost loves, freedom, and new beginnings. Love Hotel, the 3rd track is a great dirty blues song with guitar licks that would make you sweat. If that's not enough, Mississippi Mushroom Trip is another song with heavy guitar and lyrics that push boundaries and buttons. Not for the weak at heart.
All of the songs on Sunday in New York will move you in every way possible. From the sexual connotations in Chris Lord's vocals and lyrics to the masterful drum beats provided by Scotty K. Rhythm guitar and backing vocals are from Walter Luck, Bass and backup vocals provided by Gord x.
Chris Lord Ideal has a new album in the works as well, called Seven Dwarfs. I am anticipating the new CD will be quite a trip!
Look for Chris Lord Ideal in your local listings and check these guys out. I can assure that you won't regret it.
www.chrislordideal.com
Saturday Nite Fish Fry - Rhythm & Soul
-- by Sarah French --
Very rarely does a band come along that can basically rewrite classic R&B songs and make them sound fresh, or write modern songs that could easily have been pulled from a 50's era juke box. An astonishing feat indeed and it seems so easy for Bill King and his band, 'Saturday Nite Fish Fry'. Their new release "Rhythm & Soul" (7 Arts) has a timeless quality and a very eclectic mix of great music.
Featuring piano and vocals from the gifted Mr. King and unbelievable vocals from Shakura S'Aida, each song is a treat. The first track 'Ain't I talkin' To You Baby" is a fine indication of how well this band works together. The sexy 'That's How I Feel About You' has smooth, toned down vocals from Ms. S'Aida and a wonderful brass arrangement, featuring Chris Gale, Bob Brough and John Johnson on sax and trumpet from William Sperandi. 'Something On My Mind' is an original written and sung by Bill King. With a great bass and drum lines from Davide DiRenzo (drums) and Scott Alexander (bass) and guitar with a southern electric slide feel from Neil Chapman, this rockin' tune easily becomes a favourite. The Blues are evident on 'Easy, Easy. Easy'. With an adopted Barrelhouse sound courtesy of the piano and the soulful lyrics provided by Shakura, this tune is somewhat over shadowed by the rock guitar licks.
All of the tracks on this disc are great. The real gem, however is a cover of Big Maybelle Smith's 'Maybelle's Blues'. It is over seven minutes of raw Blues vocals at its best. I have seen Ms. S'Aida perform this song live, and the recording does not do any justice, but this is a killer track. The lyrics are sexy and very cheeky, and the innuendos are obvious, which is part of the fun. Some of the other tracks on this disc include a modernized version of 'John The Revelator', Elmore James' 'I Can't Stop Lovin''Big Bill Broonzy's 'I Can't Be Satisfied' and a fantastic track written by Bill King called 'I'll Miss Your Smile'.
Radio friendly and irresistible, this collection of songs is impeccable. With the help of the personnel, each track on "Rhythm & Soul" restores the original good time feelings and meaning of g R&B, whilst providing a fresh sound and arrangement. A fine effort from "Saturday Nite Fish Fry" that will soon be a favourite in many music collections. For more information, visit www.7artsmusic.com .
Gene Hardy - Blow! Blow! Blow!
-- by Sarah French --
I love the saxophone. I find its sound so soothing and sensual. There is no other instrument that can make me close my eyes and sway my shoulders down to my hips. Yep - I love the sax. This is where The Big Band Trio's tenor sax man, Gene Hardy comes in with his most recent release, "Blow! Blow! Blow!" With over 20 years of playing saxophone, violin and musical saw, Hardy's talent is outstanding, and it comes out with every cut on this CD. Gene's resume is incredible, having played with just about everyone a modern sax player can play with.
Featuring a myriad of Jazz and Jump songs, this disc is a hard one to put away. With the opening song, 'Honky Tonk' Gene gets off on the right track with jumpin' and swingin' vibes. "Sweet Lotus Blossom" featuring the sizzling Laura Hubert on vocals, has a smooth feel to it. Like a dry martini. Patsy Cline's "Down in Dallas" opens with wonderful piano from Peter Hill, vocals from Ms. Hubert and of course, killer sax from Gene Hardy. The real gem on this CD is "Georgia". Being one of my all time favourite songs, I am very impressed with this take. With a gorgeous piano intro, followed by sexy tenor sax., simple bass grooves from Clint Ryder, there is no need for vocals on this one. It is just perfect as it is. "Harlem Nocturne" is another fine effort from Gene. He takes this classic and renews it, and the same feeling we all got the first time hearing it is revisited.
All in all, "Blow! Blow! Blow! is a fun disc, complete with music for dancing, swinging and perhaps a little romance. Each track is special, performed with accuracy, texture and soul. It is a great addition to any collection and very highly recommended.
www.genehardy.com
Blues Ignited
-- by Sarah French --
Think back – Way back to when you heard the Blues for the first time. Can you recall the hairs on your neck standing straight up? Perhaps a tingle in your jeans and that feeling of ‘Damn Right I got the Blues’? Fast forward, to 2003. That same feeling will hit you with every note of every song on the long awaited second release from Toronto’s David Rotundo & the Blue Canadians.
‘Blues Ignited” has it all, from traveling Blues on ‘Stranger’ – “Won’t you be a good little girl, and show this stranger around?” The desperate “Talk to Me” and the rambunctious and outright tune “I want to get Lucky”.
One of my personal favorites is called “Can I Come in Your Kitchen”. There are many phrases in the song with killer double entendre, raw sexuality, and incredible support from the band.
Featuring the monstrously talented David Rotundo on vocals and killer harmonica, Italian born-L.A. based guest guitarist Enrico Crivallero, Shane Scott (bass & vocals), Pete Schmidt (guitar) Julian Fauth (piano & vocals), and Greg Cooper (drums).
Blues Ignited is one of the most real Blues CDs I have heard in a long time. Perhaps it is the feeling that David Rotundo wrote the gut wrenching, soul shaking blues lyrics from experience?? Or, it could be the straight up, heavy Blues harp performance on every track? Whatever the reason, “Blues Ignited” by David Rotundo & the Blue Canadians is an incredible Blues experience and highly recommended for your collection. Visit www.davidrotundo.com for show listings and more information about this fantastic band.
Blues Approved
-- by Sarah French --
Toronto is a hotbed of fantastic and talented musicians, some of whom we may never get to hear or see live. Thankfully, guitarist Peter Schmidt and bassist Shane Scott are not included in that category and are two of the hottest and most sought after musicians in the city. Both of these gentlemen have been on the Southern Ontario Blues scene for a few years individually and teamed up, backing some of the most popular Blues bands around.
The release of their collaboration “Blues Approved” can only thrust them farther into the Blues limelight.
‘Blues Approved’ is not only a fantastic potpourri of electric Blues, it features the cream of Toronto’s musicians. Bob Vespaziani, Mel Brown, Julian Fauth, Larry Bodner, Chuck Jackson, Jerome Godboo, Mark Bird Stafford, Doctor Nick, Jack deKeyzer, Gary Kendall, David Rotundo, Little Bobby, Ricky Day, Tony Ajo and Greg Cooper all add their musical expertise to the songs.
There are 15 exciting tracks, each one showcasing the talents of Pete and Shane, along with support from the aforementioned guests. One of my personal favorites is the second track “How Long’ written by and featuring Downchild Blues Band vocalist Chuck Jackson. The lyrics are witty yet soulful and performed with the perfection that Chuck has become known for. ‘Back On Top’ in reminiscent of the early electric Blues by the likes of BB King, Junior Wells and Muddy. Ricky Day’s vocal styling could not be better on this heartfelt. Another fine performance comes from harmonica master and vocalist Jerome Godboo on the song ‘Jessie’, the lyrics are written by Mr. Godboo and delivered with unfeigned feeling. Finally, the last track on Blues Approved is a swingin’ instrumental featuring dueling harp from David Rotundo and Doctor Nick called ‘Harpin’, a perfect song for the finale of this incredible CD.
Listening to this CD is an exciting adventure into one of the greatest genres of music. All of the songs on ‘Blues Approved’ are incredible and judging by the performances from the front musicians and the supporting musicians, we need not venture far from Toronto to hear high energy, first rate Blues.
www.peteschmidt.com
Goodbye To Romance: Standards for a New Generation
-- by Sarah French --
It was roughly springtime 2003 when I first heard it. I was in my office working away, listening to Toronto’s only all Jazz radio station – and it hit me. ‘No, it can’t be…’ I thought to myself. I called my boss over to my desk and asked him to ‘name that tune’. Mr. Know-it-all was equally stumped. I waited on the edge of my seat for the DJ to ease my trouble and announce what the track was. Wait… I knew it!! The song in question was a Jazz take on Aerosmith’s 70’s hit “Dream On”. Of course, I missed the artist’s name and had to telephone the station for the info, but that’s another story altogether.
A guitarist for the popular 1980’s era heavy metal group Testament, Alex Skolnick has created a masterpiece with his new endeavor the Alex Skolnick Trio.
Released in 2002 “Goodbye To Romance: Standards for a New Generation” is not your typical Jazz disc, as it features a slew of old Rock N’ Roll and Heavy Metal songs done with a Jazz twist. Consisting of guitars from Mr. Skolnick, double-bass from John Graham Davis and Matt Zebroski on drums, “Goodbye to Romance” proves to be a brilliant finale to what must have been a painstaking project.
Each of the 10 tracks on the disc is quite long, averaging 6 to 9 minutes. I imagine it would take a little more time and effort to perform these songs with antithetical intent, while staying true to the originals. The first song has a familiar intro to anyone who has ever hear the band Kiss. Yup – “Detroit Rock City”! The smooth transition from a classic rock hit, to an arrangement for Jazz is incredible. The aforementioned “Dream On” is as gorgeous as the original. The guitar work from Alex and the timing of the drums are perfect, with just a hint of the heavy feel the song is intended for. The title track “Goodbye To Romance” is a beautiful rendition of a sad song originally performed by Ozzy Osbourne, however, Alex and the band have been able to turn it into a less whiney version. The Who’s “Pinball Wizard” is an interesting listen, and the trio’s version of Black Sabbath’s dark anthem “War Pigs” is an intense exit to an ingenious CD. For more information about this fascinating disc and Mr. Skolnick’s transition from Heavy Metal Guitar God to Jazz Master, visit www.alexskolnick.com .
Saturday Nite Fish Fry – Rhythm & Soul
-- by Sarah French --
Very rarely does a band come along that can basically rewrite classic R&B songs and make them sound fresh, or write modern songs that could easily have been pulled from a 50’s era juke box. An astonishing feat indeed and it seems so easy for Bill King and his band, ‘Saturday Nite Fish Fry’. Their new release “Rhythm & Soul” (7 Arts) has a timeless quality and a very eclectic mix of great music.
Featuring piano and vocals from the gifted Mr. King and unbelievable vocals from Shakura S’Aida, each song is a treat. The first track ‘Ain’t I talkin’ To You Baby” is a fine indication of how well this band works together. The sexy ‘That’s How I Feel About You’ has smooth, toned down vocals from Ms. S’Aida and a wonderful brass arrangement, featuring Chris Gale, Bob Brough and John Johnson on sax and trumpet from William Sperandi. ‘Something On My Mind’ is an original written and sung by Bill King. With a great bass and drum lines from Davide DiRenzo (drums) and Scott Alexander (bass) and guitar with a southern electric slide feel from Neil Chapman, this rockin’ tune easily becomes a favourite. The Blues are evident on ‘Easy, Easy. Easy’. With an adopted Barrelhouse sound courtesy of the piano and the soulful lyrics provided by Shakura, this tune is somewhat over shadowed by the rock guitar licks.
All of the tracks on this disc are great. The real gem, however is a cover of Big Maybelle Smith’s ‘Maybelle’s Blues’. It is over seven minutes of raw Blues vocals at its best. I have seen Ms. S’Aida perform this song live, and the recording does not do any justice, but this is a killer track. The lyrics are sexy and very cheeky, and the innuendos are obvious, which is part of the fun. Some of the other tracks on this disc include a modernized version of ‘John The Revelator’, Elmore James’ ‘I Can’t Stop Lovin’’Big Bill Broonzy’s ‘I Can’t Be Satisfied’ and a fantastic track written by Bill King called ‘I’ll Miss Your Smile’.
Radio friendly and irresistible, this collection of songs is impeccable. With the help of the personnel, each track on “Rhythm & Soul” restores the original good time feelings and meaning of g R&B, whilst providing a fresh sound and arrangement. A fine effort from “Saturday Nite Fish Fry” that will soon be a favourite in many music collections. For more information, visit www.7artsmusic.com .
Very rarely does a band come along that can basically rewrite classic R&B songs and make them sound fresh, or write modern songs that could easily have been pulled from a 50’s era juke box. An astonishing feat indeed and it seems so easy for Bill King and his band, ‘Saturday Nite Fish Fry’. Their new release “Rhythm & Soul” (7 Arts) has a timeless quality and a very eclectic mix of great music.
Featuring piano and vocals from the gifted Mr. King and unbelievable vocals from Shakura S’Aida, each song is a treat. The first track ‘Ain’t I talkin’ To You Baby” is a fine indication of how well this band works together. The sexy ‘That’s How I Feel About You’ has smooth, toned down vocals from Ms. S’Aida and a wonderful brass arrangement, featuring Chris Gale, Bob Brough and John Johnson on sax and trumpet from William Sperandi. ‘Something On My Mind’ is an original written and sung by Bill King. With a great bass and drum lines from Davide DiRenzo (drums) and Scott Alexander (bass) and guitar with a southern electric slide feel from Neil Chapman, this rockin’ tune easily becomes a favourite. The Blues are evident on ‘Easy, Easy. Easy’. With an adopted Barrelhouse sound courtesy of the piano and the soulful lyrics provided by Shakura, this tune is somewhat over shadowed by the rock guitar licks.
All of the tracks on this disc are great. The real gem, however is a cover of Big Maybelle Smith’s ‘Maybelle’s Blues’. It is over seven minutes of raw Blues vocals at its best. I have seen Ms. S’Aida perform this song live, and the recording does not do any justice, but this is a killer track. The lyrics are sexy and very cheeky, and the innuendos are obvious, which is part of the fun. Some of the other tracks on this disc include a modernized version of ‘John The Revelator’, Elmore James’ ‘I Can’t Stop Lovin’’Big Bill Broonzy’s ‘I Can’t Be Satisfied’ and a fantastic track written by Bill King called ‘I’ll Miss Your Smile’.
Radio friendly and irresistible, this collection of songs is impeccable. With the help of the personnel, each track on “Rhythm & Soul” restores the original good time feelings and meaning of g R&B, whilst providing a fresh sound and arrangement. A fine effort from “Saturday Nite Fish Fry” that will soon be a favourite in many music collections. For more information, visit www.7artsmusic.com .
Jerome Godboo- Pain and the Glory
-- by Sarah French --
Ladies and gentlemen, we have a winner. His name is Jerome Godboo. Say it loud and say it proud - let the words reverberate across the airwaves.
Master of the misery whistle, Jerome’s newest release is not your typical Blues collection, although there are tracks that cover John Mayall, Willie Dixon and T-Bone Walker. It is homage to the greats, modernized and revived.
This disc is aptly titled ‘Pain and the Glory’, and it gives the listener those emotions and the full spectrum in between. The first track “My little Girl” lays down the foundation for this album with outstanding harmonica and vocals from Godboo. The funky original “The Night I Slept Outside” tells of every man’s nightmare with wit, sorrow and conviction. A shining example of how well Jerome and his various band mates work together is a smoking rendition of the Rolling Stones “Ventilator Blues”. Featuring incredible electric slide guitar, courtesy of mini Blues sensation Jimmy Bowskill, unconventional drumming from the formidable Al Webster, and heavy bass lines laid down by recording engineer and bass player extraordinaire Alec Fraser. The vocals are much more prominent than the original, which with all of the aforementioned talent, makes this track stand out. “Strange Brew” is another awesome cut, with stellar guitar from Damian Arokium, smooth but fierce bass from Leo Valvassori, and of course, strong harmonica and vocals from Mr. Godboo.
The real gem on this disc is the title track, “Pain and the Glory”. With one of the grooviest bass and drum intros I have ever heard, the volume quickly found its way creeping up on my dial. A spiritual diary of sorts, the lyrics tell a story of soul searching and healing. One of the vocal lines that really grabs at me is “… Holy Spirit let me know, that I was born to Rock N’ Roll”. Perfection musically and poetically, this track alone is well worth the price of admission. The covers of Dixon’s “Evil”, Sonny Boy Williamson’s “Help Me” and T-Bone Walker’s “Evening” are fresh, modern and energetic. All of the tracks on “Pain and the Glory” are exceptional vocally and musically. Each cut carries its own, but compiled together, the songs make this disc a heavyweight, a fantastic effort from Jerome and the band.
For tour information and to purchase this disc or any of Jerome’s other recordings, visit www.jeromegodboo.com .